Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create a perfect illusion of reality through a range of dramatic and theatrical strategies: detailed, three-dimensional settings (which bring Darwinian understandings of the determining role of the environment into the staging of human drama); everyday speech forms (prose over poetry); a secular world-view (no ghosts, spirits or gods intervening in the human action); an exclusive focus on subjects that are contemporary and indigenous (no exotic, otherworldly or fantastic locales, nor historical or mythic time-periods); an extension of the social range of characters portrayed (away from the aristocrats of classical drama, towards bourgeois and eventually working-class protagonists); and a style of acting that attempts to recreate the impression of reality (often by seeking complete identification with the role, understood in terms of its 'given circumstances', which, again, transcribe Darwinian motifs into performance, as advocated by Stanislavski). Naturalistic role play is used within theatrical performances to demonstrate to the audience or show the audience how this would appear in real life. No still images are used as this does not show the full quality of the piece of drama. Naturalistic drama is used within many drama pieces to show the true feelings of the characters, this helps the characters to touch the audience with their feelings properly and appropriately.
The Virgin of Chancellor Rolin - Jan Van Eyck
The Traveller - Duane Hanson
Artist Duane Hanson